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PAST PROJECTS
SCENIC ART & PROPS FABRICATION
 VMAs Quick Overview 21-23 |  Rust and Metal Treatment Sample Pack 2021-2023 |  Marble Treatment Sample Pack 2021-2023 |
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 Wood Treatment Sample Pack 2021-2023 |  Stone, Concrete, Cement Treatment Sample Pack 2021-2023 |  Solid Colours Colour Mixing & Matching Sample Pack 2022-2023 |
 Scenic Elements for Cody Johnson @ the 2022 CMAsScenic Elements for Cody Johnson @ the 2022 CMAs |  Scenic Elements for Cody Johnson @ the 2022 CMAsScenic Charge: Sohn Plenefisch Scenic Artists: Sohn Plenefisch, Sam, Suzanne |  |
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 Painted Backdrop for Matthew Imhoff |  |  |
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 |  DSC_0330 |  Sign in the Six O'Clock Sky Set Design, Xoregos Performing Company, Theatre for the New City, NYC, 2019, Dir. Shela Xoregos, LX Tianshu Zhao |
 |  Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne |  Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne |
 Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne |  Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne |  Bushwig wolf maskSet and Costume Conceptual Design, Linbury Studio @ LAMDA 2017, Dir. Adelaide Waldrop |
 Just Add Water - Flotsam PuppetPuppet Design and Make, Bute Theatre and Prague Quadrennial 2015, Dir. Emma Williams |
DESIGN
 Bound, Scenic & Props Design, Amerinda Inc, Theatre for the New City, NYC, 2019, Dir. Tara Moses, LX Amanda Levie |  Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |  Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |
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 Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |  Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |  Birthday in the Bronx, Scenic, Prop |
 Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |  Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |  Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |
 Birthday in the Bronx, Scenic, Props, and Puppetry Design, The Tank, NYC, 2020, Dir. Michaela Escarcega Costumes by Orianna Lineweaver LX by Alexandra Vásquez Dheming Photo by Mari Uchida |  Rabbit Hole, Costume Design, Nuance Theater Co & Lungtree Productions, NYC, 2019, Dir. John Desotelle Scenic and LX Matthew Imhoff |  Rabbit Hole, Costume Design, Nuance Theater Co & Lungtree Productions, NYC, 2019, Dir. John Desotelle Scenic and LX Matthew Imhoff |
 Rabbit Hole, Costume Design, Nuance Theater Co & Lungtree Productions, NYC, 2019, Dir. John Desotelle Scenic and LX Matthew Imhoff |  Refuge, Set Design, Blessed Unrest, Baruch Performing Arts Center, NYC, 2019, Dir. Jessica Burr, Costumes Sera Bourgeau LX Jay Ryan Photo Ben Peterson |  Refuge, Set Design, Blessed Unrest, Baruch Performing Arts Center, NYC, 2019, Dir. Jessica Burr, Costumes Sera Bourgeau LX Jay Ryan Photo Ben Peterson |
 Refuge, Set Design, Blessed Unrest, Baruch Performing Arts Center, NYC, 2019, Dir. Jessica Burr, Costumes Sera Bourgeau LX Jay Ryan Photo Ben Peterson |  Refuge, Set Design, Blessed Unrest, Baruch Performing Arts Center, NYC, 2019, Dir. Jessica Burr, Costumes Sera Bourgeau LX Jay Ryan Photo Ben Peterson |  Pink House, Scenic & Props Design, Theaterlab, NYC, 2019, Dir. Jenna Rossman, LX Elizabeth James |
 Pink House, Scenic & Props Design, Theaterlab, NYC, 2019, Dir. Jenna Rossman, LX Elizabeth James |  Pink House, Scenic & Props Design, Theaterlab, NYC, 2019, Dir. Jenna Rossman, LX Elizabeth James |  Troilus & Cressida Set and Props Design, Under St. Marks Theatre, NYC, 2018, Dir. Calvin Atkinson, Costumes Alex Eaton LX Ash Zietler Photo Meaghan Johnson |
 Troilus & Cressida Set and Props Design, Under St. Marks Theatre, NYC, 2018, Dir. Calvin Atkinson, Costumes Alex Eaton LX Ash Zietler Photo Meaghan Johnson |  Troilus & Cressida Set and Props Design, Under St. Marks Theatre, NYC, 2018, Dir. Calvin Atkinson, Costumes Alex Eaton LX Ash Zietler |  Troilus & Cressida Set and Props Design, Under St. Marks Theatre, NYC, 2018, Dir. Calvin Atkinson, Costumes Alex Eaton LX Ash Zietler |
 Troilus & Cressida Set and Props Design, Under St. Marks Theatre, NYC, 2018, Dir. Calvin Atkinson, Costumes Alex Eaton LX Ash Zietler |  House of Bernarda AlbaSet Design, Gene Frankel Theatre, 2018, Dir. Thomas Gordon, Costumes by Al Malonga, Photo by Al Foote III |  House of Bernarda AlbaSet Design, Gene Frankel Theatre, 2018, Dir. Thomas Gordon, Costumes by Al Malonga, Photo by Al Foote III |
 House of Bernarda AlbaSet Design, Gene Frankel Theatre, 2018, Dir. Thomas Gordon, Costumes by Al Malonga, Photo by Al Foote III |  House of Bernarda AlbaSet Design, Gene Frankel Theatre, 2018, Dir. Thomas Gordon, Costumes by Al Malonga, Photo by Al Foote III |  Sign in the Six O'Clock Sky Set Design, Xoregos Performing Company, Theatre for the New City, NYC, 2019, Dir. Shela Xoregos, LX Tianshu Zhao |
sitsocs 1Sign in the Six O'Clock Sky Set Design, Xoregos Performing Company, Theatre for the New City, NYC, 2019, Dir. Shela Xoregos, LX Tianshu Zhao | Wolf for BushwigDesign and Make, Knockdown Center 2018, Dev. Chris Tyler |  Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne |
Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne | Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne | Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne |
Into the WoodsSet Design, Fort Hamilton Army Base Theater 2018, Dir. Leah Zepel, Costumes by Adrianna Covonne |  Lilya (Puppet Detail Shot)Set, Props, and Puppet Design, The Parlour 2018, Dir. Julia Sears, Costumes by Adrianna Covonne |  Their Food Tastes Better When They See Us Starving (or, Coriolanus) Set and Costume Design, The Brick, NYC, 2018, Dir. Anne Ciarlone |
 Their Food Tastes Better When They See Us Starving (or, Coriolanus) Set and Costume Design, The Brick, NYC, 2018, Dir. Anne Ciarlone |  Their Food Tastes Better When They See Us Starving (or, Coriolanus) Set and Costume Design, The Brick, NYC, 2018, Dir. Anne Ciarlone |  Heist!Set and Costume Design, The Players Theatre, NYC, 2018, Dir. James Will McBride, Photo by Michael Kushner |
 Heist!Set and Costume Design, The Players Theatre, NYC, 2018, Dir. James Will McBride, Photo by Michael Kushner |  Heist!Set and Costume Design, The Players Theatre, NYC, 2018, Dir. James Will McBride, Photo by Michael Kushner |  Heist!Set and Costume Design, The Players Theatre, NYC, 2018, Dir. James Will McBride, Photo by Michael Kushner |
 The Chechens (Detail)Set Design, The Parlour 2018 |  DidoSet and Costume Conceptual Design for the Linbury Prize 2017, Unicorn Theatre, Dir. Purni Morell, Photo by Emily Bates |  DidoSet and Costume Conceptual Design for the Linbury Prize 2017, Unicorn Theatre, Dir. Purni Morell, Photo by Emily Bates |
 Dido (Flooring Close-up)Set and Costume Conceptual Design for the Linbury Prize 2017, Unicorn Theatre, Dir. Purni Morell |  DidoSet and Costume Conceptual Design for the Linbury Prize 2017, Unicorn Theatre, Dir. Purni Morell, Photo by Emily Bates |  Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan, Photo by Kirsten McTernan |
 Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan, Photo by Kirsten McTernan |  Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan, Photo by Kirsten McTernan |  Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan, Photo by Kirsten McTernan |
 Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan, Photo by Kirsten McTernan |  Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan, Photo by Kirsten McTernan |  Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan |
 Killer JoeSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan, Photo by Kirsten McTernan |  Killer Joe ModelboxSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan |  Killer Joe ModelboxSet and Costume Design, Bute Theatre 2016, Dir. Debbie Hannan |
 Killer JoeProcess/Sketchbook |  Angels in AmericaSet and Costume Conceptual Design, Linbury Studio @ LAMDA 2017, Dir. Adelaide Waldrop |  Angels in AmericaSet and Costume Conceptual Design, Linbury Studio @ LAMDA 2017, Dir. Adelaide Waldrop |
 Angels in AmericaSet and Costume Conceptual Design, Linbury Studio @ LAMDA 2017, Dir. Adelaide Waldrop |  Angels in AmericaSet and Costume Conceptual Design, Linbury Studio @ LAMDA 2017, Dir. Adelaide Waldrop |  Angels in AmericaSet and Costume Conceptual Design, Linbury Studio @ LAMDA 2017, Dir. Adelaide Waldrop |
 Angels in AmericaHeaven Close-Up |  Angels in AmericaCostume Design for Harper |  Angels in AmericaCostume Design for Prior |
 Angels in AmericaCostume Design for the Angel of America |  From the House of the DeadSet and Costume Conceptual Design, WMC 2016, Dir. Polly Graham |  From the House of the DeadSet and Costume Conceptual Design, WMC 2016, Dir. Polly Graham |
 From the House of the DeadSet and Costume Conceptual Design, WMC 2016, Dir. Polly Graham |  From the House of the DeadSet and Costume Conceptual Design, WMC 2016, Dir. Polly Graham |  Spring AwakeningSet and Costume Conceptual Design, Richard Burton Theatre 2015, Dir. Lucy Hall, Photo by Olivia Racionzer |
 Spring AwakeningSet and Costume Conceptual Design, Richard Burton Theatre 2015, Dir. Lucy Hall |  Spring AwakeningCostume Design for Wendla |  Spring AwakeningCostume Design for Moritz |
 Spring AwakeningCostume Design for Frau Gabor |  Spring AwakeningCostume Design for the Masked Man | Just Add Water - Flotsam PuppetPuppet Design and Make, Bute Theatre and Prague Quadrennial 2015, Dir. Emma Williams |
 The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |  The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |  The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |
 The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |
CAD DRAWINGS
 Dido Groundplan |  Dido Flooring and Flown Lighting |  Killer Joe Trailer |
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 Killer Joe Masking Frame |  The Pond Boat |  The Pond Bike |
MAKES & ASSISTING
 1:25 modelpiece for Francis O'Connor |  1:25 pieces for Francis O'Connor |  1:25 modelpiece for Gabriella Slade |
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 1:25 modelpiece for Gabriella Slade |  1:25 pieces for Gabriella Slade |  Les MiserablesDes. Susan Boyle, College Light Opera Company, 2014, Photo by Bridget Driscoll |
 Costumes for Lady Be GoodDes. Susan Boyle, College Light Opera Company, 2014, Photo by Bridget Driscoll |  Venetian Curtain for George M.Des. Matthew Imhoff, College Light Opera Company, 2014, Photo by Bridget Driscoll |  One Man Two GuvnorsScenic Painting, Richard Burton Theatre 2016, Des. Lissa Lamona, Photo by Josh Kroon |
 One Man Two GuvnorsScenic Painting, Richard Burton Theatre 2016, Des. Lissa Lamona, Photo by Josh Kroon |  One Man, Two GuvnorsScenic Painting, Richard Burton Theatre 2016, Des. Lissa Lamona |  One Man Two GuvnorsScenic Painting, Richard Burton Theatre 2016, Des. Lissa Lamona, Photo by Josh Kroon |
 One Man Two GuvnorsScenic Painting, Richard Burton Theatre 2016, Des. Lissa Lamona, Photo by Josh Kroon | One Man Two GuvnorsScenic Painting, Richard Burton Theatre 2016, Des. Lissa Lamona |  Global WarmingJohn Grant Music Video, Scenic Painting, Des. Seeber & Lloyd, Produced by Casey Raymond & Ewan Jones-Morris, Photo by Eleri Lloyd |
 Global WarmingJohn Grant Music Video, Scenic Painting, Des. Seeber & Lloyd, Produced by Casey Raymond & Ewan Jones-Morris, Photo by Eleri Lloyd |  Global WarmingJohn Grant Music Video, Scenic Painting, Des. Seeber & Lloyd, Produced by Casey Raymond & Ewan Jones-Morris |  Global WarmingJohn Grant Music Video, Scenic Painting, Des. Seeber & Lloyd, Produced by Casey Raymond & Ewan Jones-Morris |
 The Snow QueenScenic Painting, Snape Maltings 2016, Des. Oliver Brett, Photo by Co-Op Juniors Theatre Company |  The Snow QueenScenic Painting, Snape Maltings 2016, Des. Oliver Brett |  The Snow QueenScenic Painting, Snape Maltings 2016, Des. Oliver Brett |
 The Snow QueenScenic Painting, Snape Maltings 2016, Des. Oliver Brett |  FalstaffScenic Painting, Sherman Theatre 2016, Des. Maria Kalamara |  FalstaffScenic Painting, Sherman Theatre 2016, Des. Maria Kalamara |
 FalstaffScenic Painting, Sherman Theatre 2016, Des. Maria Kalamara |  FalstaffScenic Painting, Sherman Theatre 2016, Des. Maria Kalamara |  Taming of the ShrewScenic Painting, Richard Burton Theatre 2015, Des. Meg George, Photo by Kirsten McTernan |
 Taming of the ShrewScenic Painting, Richard Burton Theatre 2015, Des. Meg George, Photo by Kirsten McTernan |  Into the WoodsCostume Make, Highfield Theatre 2014, Des. Susan Boyle, Photo by Bridget Driscoll |  Into the Woods, The Witch's DressCostume Make, Highfield Theatre 2014, Des. Susan Boyle |
REVIEWS
KILLER JOE
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"This is not an easy watch and the stellar set by Sonya Plenefisch proves this. Set inside their trailer, we as an audience are sectioned off into two groups: we gaze at each long side of the trailer so we don’t miss a single action. The joy of the production design is that we see the disgust of the other audience on the other side: the frowns, the the dropping of mouths, the looking aways."
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"...a superb set, designed by Sonya Plenefisch, complete with a sofa stuffed under with empty beer cans and fast food wrappers, overhung by a proudly displayed star spangled banner..."
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"Set in traverse, the audience can peer straight through the shabby trailer...We can stare past the drama and look at others we can assume are comfortingly just like us, divorced and separated from the messy, disastrous car-crash lives of those between us, justly smug that we would and never could, be like them..."
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