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Set, Costume, & Puppetry Design

set, puppetry, props design, Birthday in the Bronx, dir Michaela Escarcega, The Tank, NYC (2020)

costume design, Danny & the Deep Blue Sea, dir John DeSotelle, Nuance Theatre Co, NYC (2019)

set and costume design,  Pink House,  dir Jenna Rossman, Theaterlab, NYC (2019)

costume design, Rabbit Hole dir John DeSotelle, Nuance Theatre Co & LungTree Productions, NYC (2019)

set design, Refuge  dir Jessica Burr, Blessed Unrest, BPAC, NYC (2019)


set & props design, Bound  dir Tara Moses, Amerinda, Inc & Theater for the New City, NYC (2019)


set design, Sign in the Six O'Clock Sky  dir Shela Xoregos, Theater for the New City, NYC (2019)

costume designMacbeth dir Ashley Burroughs, Target Margin Theatre, NYC (2019)

set and props design, Troilus and Cressida  dir Calvin Atkinson, Under St. Marks Theatre, NYC (2018)

set design, Their Food Tastes Better When They See Us Starving (or, Coriolanus) (and Midterm Election Remount) dir Anne Ciarlone, The Brick, NYC (2018)

set and costume design, Heist! dir James Will McBride, Players Theatre, NYC (2018)

set, props, and puppet design, Lilya dir Julia Sears, The Parlour, NYC (2018)

set design, The Chechens dir Tess Howsam, The Parlour, NYC (2018)

set design, The House of Bernarda Alba dir Thomas Gordon, Gene Frankel Theater, NYC (2018)


set design, Into the Woods dir Leah Zepel, Narrows Community Theater, NYC (2018)


set  and costume designer, Killer Joe dir. Debbie Hannan, Bute Theatre, Royal Welsh College of Music and Drama (2016)

puppet designer and maker, Just Add Water dir. Emma Williams, RWCMD, 2015

Assistant to James Fluhr, 2018/19

Modelmaking Assistant to Francis O’Connor, 2017


Costume Assistant for College Light Opera Company, MA, 2014 Season


Costume Assistant for Toledo Repertoire Theatre, OH, 2014

Finalist for the Linbury Prize for Stage Design, 2017

Nominated for Outstanding Innovative Design, New York Innovative Theater Awards 2019


BA (Hons) Design for Performance, Royal Welsh College of Music and Drama, Cardiff, 2014-17

Model-making, soldering, AutoCAD, Sketchup, Adobe Photoshop, scenic painting, oil painting, poly-carving, puppet design/making, domestic and industrial sewing machine skills, hand sewing, breaking down/distressing, basic set construction (power, bench, and hand tools), mould making and casting, glass blowing/glass working, props making 



design associate & mask designer, La Sonnambula dir. Dan Rogers, des. Joseph Wolfslau, Promenade Opera Project,  Boston (2019)

props designer, Venus dir. Raz Golden, Waterwell & PPAS, NYC (2019)

props designer, The Runaways,  dir. Kyle Pleasance, Waterwell & PPAS, NYC (2019)

props artisan, Whirlwind dir. Dan Amboyer, Wild Project, NYC (2019)

props artisan, A Christmas Carol dir. Brenda Bell, Players Theatre, NYC (2018)

props artisan, The Selfish Giant dir. Mikaela Kafka, Players Theatre, NYC (2018)

scenic art/props rendering, Human's Best Friend pop-up installation, des. Jason Sherwood, Greenwich Village, NYC (2018)

ASM, Queen Pam dir. Brian Tuttle, Players Theater, NYC (2018)

props design & make, Layer the Walls dir. Rachel Sullivan, The Tank, NYC (2018)

modelmaking assistant, The Little Prince des. Jacob Climer, Utah Opera (2018) )

design assistant, Fusiform Gyrus des. Anna Kiraly, Talking Band, HERE Arts, NYC  (2018)

modelmaking assistant, Cinderella des. Gabriella Slade, Citizens Theatre, Glasgow (2017)

set assistant, Falstaff des. Maria Kalamara, Sherman Theatre, Royal Welsh College of Music and Drama 2016


set and props assistant, One Man, Two Guvnors des. Lissa Lamona, Richard Burton Theatre, Royal Welsh College of Music and Drama 2016


set assistant, Taming of the Shrew des. Meg George, Bute Theatre, Royal Welsh College of Music and Drama 2015


scenic artist, The Snow Queen des.Oliver Brett, Snape Maltings Concert Hall, Ipswich 2016


art department assistant, Global Warming art dept. Seeber & Lloyd, Casey Raymond & Ewan Jones-Morriss (2016)

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