PAST PROJECTS
DESIGN
 Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |  Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |  Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |
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 Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |  Birthday in the Bronx, Scenic, Prop |  Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |
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 Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |  Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |  Birthday in the Bronx,
Scenic, Props, and Puppetry Design,
The Tank, NYC, 2020,
Dir. Michaela Escarcega
Costumes by Orianna Lineweaver
LX by Alexandra Vásquez Dheming
Photo by Mari Uchida |
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 Rabbit Hole,
Costume Design,
Nuance Theater Co & Lungtree Productions, NYC, 2019,
Dir. John Desotelle
Scenic and LX Matthew Imhoff |  Rabbit Hole,
Costume Design,
Nuance Theater Co & Lungtree Productions, NYC, 2019,
Dir. John Desotelle
Scenic and LX Matthew Imhoff |  Rabbit Hole,
Costume Design,
Nuance Theater Co & Lungtree Productions, NYC, 2019,
Dir. John Desotelle
Scenic and LX Matthew Imhoff |
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 Bound,
Scenic & Props Design,
Amerinda Inc, Theatre for the New City, NYC, 2019,
Dir. Tara Moses,
LX Amanda Levie |  Refuge,
Set Design,
Blessed Unrest, Baruch Performing Arts Center, NYC, 2019,
Dir. Jessica Burr,
Costumes Sera Bourgeau
LX Jay Ryan
Photo Ben Peterson |  Refuge,
Set Design,
Blessed Unrest, Baruch Performing Arts Center, NYC, 2019,
Dir. Jessica Burr,
Costumes Sera Bourgeau
LX Jay Ryan
Photo Ben Peterson |
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 Refuge,
Set Design,
Blessed Unrest, Baruch Performing Arts Center, NYC, 2019,
Dir. Jessica Burr,
Costumes Sera Bourgeau
LX Jay Ryan
Photo Ben Peterson |  Refuge,
Set Design,
Blessed Unrest, Baruch Performing Arts Center, NYC, 2019,
Dir. Jessica Burr,
Costumes Sera Bourgeau
LX Jay Ryan
Photo Ben Peterson |  Pink House,
Scenic & Props Design,
Theaterlab, NYC, 2019,
Dir. Jenna Rossman,
LX Elizabeth James |
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 Pink House,
Scenic & Props Design,
Theaterlab, NYC, 2019,
Dir. Jenna Rossman,
LX Elizabeth James |  Pink House,
Scenic & Props Design,
Theaterlab, NYC, 2019,
Dir. Jenna Rossman,
LX Elizabeth James |  Troilus & Cressida
Set and Props Design,
Under St. Marks Theatre, NYC, 2018,
Dir. Calvin Atkinson,
Costumes Alex Eaton
LX Ash Zietler
Photo Meaghan Johnson |
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 Troilus & Cressida
Set and Props Design,
Under St. Marks Theatre, NYC, 2018,
Dir. Calvin Atkinson,
Costumes Alex Eaton
LX Ash Zietler
Photo Meaghan Johnson |  Troilus & Cressida
Set and Props Design,
Under St. Marks Theatre, NYC, 2018,
Dir. Calvin Atkinson,
Costumes Alex Eaton
LX Ash Zietler |  Troilus & Cressida
Set and Props Design,
Under St. Marks Theatre, NYC, 2018,
Dir. Calvin Atkinson,
Costumes Alex Eaton
LX Ash Zietler |
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 Troilus & Cressida
Set and Props Design,
Under St. Marks Theatre, NYC, 2018,
Dir. Calvin Atkinson,
Costumes Alex Eaton
LX Ash Zietler |  House of Bernarda AlbaSet Design,
Gene Frankel Theatre, 2018,
Dir. Thomas Gordon,
Costumes by Al Malonga,
Photo by Al Foote III |  House of Bernarda AlbaSet Design,
Gene Frankel Theatre, 2018,
Dir. Thomas Gordon,
Costumes by Al Malonga,
Photo by Al Foote III |
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 House of Bernarda AlbaSet Design,
Gene Frankel Theatre, 2018,
Dir. Thomas Gordon,
Costumes by Al Malonga,
Photo by Al Foote III |  House of Bernarda AlbaSet Design,
Gene Frankel Theatre, 2018,
Dir. Thomas Gordon,
Costumes by Al Malonga,
Photo by Al Foote III |  Sign in the Six O'Clock Sky
Set Design,
Xoregos Performing Company, Theatre for the New City, NYC, 2019,
Dir. Shela Xoregos,
LX Tianshu Zhao |
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 sitsocs 1Sign in the Six O'Clock Sky
Set Design,
Xoregos Performing Company, Theatre for the New City, NYC, 2019,
Dir. Shela Xoregos,
LX Tianshu Zhao |  Wolf for BushwigDesign and Make,
Knockdown Center
2018,
Dev. Chris Tyler |  Into the WoodsSet Design,
Fort Hamilton Army Base Theater
2018,
Dir. Leah Zepel,
Costumes by Adrianna Covonne |
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 Into the WoodsSet Design,
Fort Hamilton Army Base Theater
2018,
Dir. Leah Zepel,
Costumes by Adrianna Covonne |  Into the WoodsSet Design,
Fort Hamilton Army Base Theater
2018,
Dir. Leah Zepel,
Costumes by Adrianna Covonne |  Into the WoodsSet Design,
Fort Hamilton Army Base Theater
2018,
Dir. Leah Zepel,
Costumes by Adrianna Covonne |
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 Into the WoodsSet Design,
Fort Hamilton Army Base Theater
2018,
Dir. Leah Zepel,
Costumes by Adrianna Covonne |  Lilya (Puppet Detail Shot)Set, Props, and Puppet Design,
The Parlour
2018,
Dir. Julia Sears,
Costumes by Adrianna Covonne |  Their Food Tastes Better When They See Us Starving (or, Coriolanus)
Set and Costume Design,
The Brick, NYC, 2018,
Dir. Anne Ciarlone |
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 Their Food Tastes Better When They See Us Starving (or, Coriolanus)
Set and Costume Design,
The Brick, NYC, 2018,
Dir. Anne Ciarlone |  Their Food Tastes Better When They See Us Starving (or, Coriolanus)
Set and Costume Design,
The Brick, NYC, 2018,
Dir. Anne Ciarlone |  Heist!Set and Costume Design,
The Players Theatre, NYC, 2018,
Dir. James Will McBride,
Photo by Michael Kushner |
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 Heist!Set and Costume Design,
The Players Theatre, NYC, 2018,
Dir. James Will McBride,
Photo by Michael Kushner |  Heist!Set and Costume Design,
The Players Theatre, NYC, 2018,
Dir. James Will McBride,
Photo by Michael Kushner |  Heist!Set and Costume Design,
The Players Theatre, NYC, 2018,
Dir. James Will McBride,
Photo by Michael Kushner |
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 The Chechens (Detail)Set Design,
The Parlour
2018 |  DidoSet and Costume Conceptual Design for the Linbury Prize 2017,
Unicorn Theatre,
Dir. Purni Morell,
Photo by Emily Bates |  DidoSet and Costume Conceptual Design for the Linbury Prize 2017,
Unicorn Theatre,
Dir. Purni Morell,
Photo by Emily Bates |
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 Dido (Flooring Close-up)Set and Costume Conceptual Design for the Linbury Prize 2017,
Unicorn Theatre,
Dir. Purni Morell |  DidoSet and Costume Conceptual Design for the Linbury Prize 2017,
Unicorn Theatre,
Dir. Purni Morell,
Photo by Emily Bates |  Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan,
Photo by Kirsten McTernan |
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 Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan,
Photo by Kirsten McTernan |  Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan,
Photo by Kirsten McTernan |  Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan,
Photo by Kirsten McTernan |
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 Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan,
Photo by Kirsten McTernan |  Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan,
Photo by Kirsten McTernan |  Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan |
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 Killer JoeSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan,
Photo by Kirsten McTernan |  Killer Joe ModelboxSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan |  Killer Joe ModelboxSet and Costume Design,
Bute Theatre
2016,
Dir. Debbie Hannan |
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 Killer JoeProcess/Sketchbook |  Angels in AmericaSet and Costume Conceptual Design,
Linbury Studio @ LAMDA
2017,
Dir. Adelaide Waldrop |  Angels in AmericaSet and Costume Conceptual Design,
Linbury Studio @ LAMDA
2017,
Dir. Adelaide Waldrop |
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 Angels in AmericaSet and Costume Conceptual Design,
Linbury Studio @ LAMDA
2017,
Dir. Adelaide Waldrop |  Angels in AmericaSet and Costume Conceptual Design,
Linbury Studio @ LAMDA
2017,
Dir. Adelaide Waldrop |  Angels in AmericaSet and Costume Conceptual Design,
Linbury Studio @ LAMDA
2017,
Dir. Adelaide Waldrop |
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 Angels in AmericaHeaven Close-Up |  Angels in AmericaCostume Design for Harper |  Angels in AmericaCostume Design for Prior |
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 Angels in AmericaCostume Design for the Angel of America |  From the House of the DeadSet and Costume Conceptual Design,
WMC
2016,
Dir. Polly Graham |  From the House of the DeadSet and Costume Conceptual Design,
WMC
2016,
Dir. Polly Graham |
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 From the House of the DeadSet and Costume Conceptual Design,
WMC
2016,
Dir. Polly Graham |  From the House of the DeadSet and Costume Conceptual Design,
WMC
2016,
Dir. Polly Graham |  Spring AwakeningSet and Costume Conceptual Design,
Richard Burton Theatre
2015,
Dir. Lucy Hall,
Photo by Olivia Racionzer |
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 Spring AwakeningSet and Costume Conceptual Design,
Richard Burton Theatre
2015,
Dir. Lucy Hall |  Spring AwakeningCostume Design for Wendla |  Spring AwakeningCostume Design for Moritz |
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 Spring AwakeningCostume Design for Frau Gabor |  Spring AwakeningCostume Design for the Masked Man |  Just Add Water - Flotsam PuppetPuppet Design and Make,
Bute Theatre and Prague Quadrennial
2015,
Dir. Emma Williams |
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 The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |  The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |  The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |
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 The PondModelmaking Project, Inspired by the poem series "The Pond" by Zachary Schomburg |
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CAD DRAWINGS
 Dido Groundplan |  Dido Flooring and Flown Lighting |  Killer Joe Trailer |
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 Killer Joe Masking Frame |  The Pond Boat |  The Pond Bike |
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MAKES & ASSISTING
 1:25 modelpiece for Francis O'Connor |  1:25 pieces for Francis O'Connor |  1:25 modelpiece for Gabriella Slade |
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 1:25 modelpiece for Gabriella Slade |  1:25 pieces for Gabriella Slade |  Les MiserablesDes. Susan Boyle,
College Light Opera Company, 2014,
Photo by Bridget Driscoll |
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 Costumes for Lady Be GoodDes. Susan Boyle,
College Light Opera Company, 2014,
Photo by Bridget Driscoll |  Venetian Curtain for George M.Des. Matthew Imhoff,
College Light Opera Company, 2014,
Photo by Bridget Driscoll |  One Man Two GuvnorsScenic Painting,
Richard Burton Theatre
2016,
Des. Lissa Lamona,
Photo by Josh Kroon |
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 One Man Two GuvnorsScenic Painting,
Richard Burton Theatre
2016,
Des. Lissa Lamona,
Photo by Josh Kroon |  One Man, Two GuvnorsScenic Painting,
Richard Burton Theatre
2016,
Des. Lissa Lamona |  One Man Two GuvnorsScenic Painting,
Richard Burton Theatre
2016,
Des. Lissa Lamona,
Photo by Josh Kroon |
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 One Man Two GuvnorsScenic Painting,
Richard Burton Theatre
2016,
Des. Lissa Lamona,
Photo by Josh Kroon |  One Man Two GuvnorsScenic Painting,
Richard Burton Theatre
2016,
Des. Lissa Lamona |  Global WarmingJohn Grant Music Video,
Scenic Painting,
Des. Seeber & Lloyd,
Produced by Casey Raymond & Ewan Jones-Morris,
Photo by Eleri Lloyd |
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 Global WarmingJohn Grant Music Video,
Scenic Painting,
Des. Seeber & Lloyd,
Produced by Casey Raymond & Ewan Jones-Morris,
Photo by Eleri Lloyd |  Global WarmingJohn Grant Music Video,
Scenic Painting,
Des. Seeber & Lloyd,
Produced by Casey Raymond & Ewan Jones-Morris |  Global WarmingJohn Grant Music Video,
Scenic Painting,
Des. Seeber & Lloyd,
Produced by Casey Raymond & Ewan Jones-Morris |
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 The Snow QueenScenic Painting,
Snape Maltings
2016,
Des. Oliver Brett,
Photo by Co-Op Juniors Theatre Company |  The Snow QueenScenic Painting,
Snape Maltings
2016,
Des. Oliver Brett |  The Snow QueenScenic Painting,
Snape Maltings
2016,
Des. Oliver Brett |
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 The Snow QueenScenic Painting,
Snape Maltings
2016,
Des. Oliver Brett |  FalstaffScenic Painting,
Sherman Theatre
2016,
Des. Maria Kalamara |  FalstaffScenic Painting,
Sherman Theatre
2016,
Des. Maria Kalamara |
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 FalstaffScenic Painting,
Sherman Theatre
2016,
Des. Maria Kalamara |  FalstaffScenic Painting,
Sherman Theatre
2016,
Des. Maria Kalamara |  Taming of the ShrewScenic Painting,
Richard Burton Theatre
2015,
Des. Meg George,
Photo by Kirsten McTernan |
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 Taming of the ShrewScenic Painting,
Richard Burton Theatre
2015,
Des. Meg George,
Photo by Kirsten McTernan |  Into the WoodsCostume Make,
Highfield Theatre
2014,
Des. Susan Boyle,
Photo by Bridget Driscoll |  Into the Woods, The Witch's DressCostume Make,
Highfield Theatre
2014,
Des. Susan Boyle |
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REVIEWS
KILLER JOE
"This is not an easy watch and the stellar set by Sonya Plenefisch proves this. Set inside their trailer, we as an audience are sectioned off into two groups: we gaze at each long side of the trailer so we don’t miss a single action. The joy of the production design is that we see the disgust of the other audience on the other side: the frowns, the the dropping of mouths, the looking aways."
(The Sprout)
"...a superb set, designed by Sonya Plenefisch, complete with a sofa stuffed under with empty beer cans and fast food wrappers, overhung by a proudly displayed star spangled banner..."
"Set in traverse, the audience can peer straight through the shabby trailer...We can stare past the drama and look at others we can assume are comfortingly just like us, divorced and separated from the messy, disastrous car-crash lives of those between us, justly smug that we would and never could, be like them..."
(Arts Scene in Wales)